Harris with the potential promise of romantic interest, and Andre (Lucas Bravo), a bookish, mild-mannered Dior employee with a boyish crush on sweet Natasha. She also meets Marquis de Chassagne (Lambert Wilson), a fellow widower who fills Mrs. Harris whisks off to Paris, where she makes the mixed company of some less than accommodating French personalities, including the antagonistic Claudine Colbert (Isabelle Huppert) and kind Natasha (Alba Baptista), a young, gorgeous fashion model who would rather spend her time reading literature than walk the red carpet. A “Brittanican” in Paris.Īfter a string of great luck that’s befitting of a children’s storybook (that’s a compliment, by the way), Mrs. But, of course, nothing is quite as simple as it seems in our mind’s eye, even in a fantastical adventure like this charming period piece. Harris works tirelessly to muster up the funds to fly out to Paris and purchase a 500-quid Dior dress, one that’ll renew that sparkle in her gaze and reward her tireless years of hard labor. But the tides slowly start to turn when she lays eyes upon a gorgeous Dior dress, one that suddenly brings sharp focus to her uneventful life. Not-so-recently widowed, but having only worked up the courage to learn the truth of this recently, the hard-working chairwoman hasn’t lived a life of luxury or good fortune up until now. Harris Goes to Paris follows our loving, downtrodden eponymous character ( Lesley Manville, terrific as always) in the midst of a reinvention of sorts. ‘arris Goes to Paris in the United States, Mrs. And that can feel pretty good.īased on Paul Gallico’s 1958 novel, Flowers for Mrs. Harris Goes to Paris, you thankfully get more of the latter than the former. There’s a thin line between patronizing and invigorating, and when you have a sweet, kind-natured, but not preachy or pompous film like Mrs. As we continuously find ourselves in a perpetual state of doom and gloom, as the pandemic constantly looms and civil unrest will only ensue, it’s understandable that modern entertainment has turned into a safe haven for common decency and renewed interest in one’s good-hearted human spirit. Though there’s something to be said about entertainment that values good feelings over thematic truth, the “nicecore movement” - be it on the big or small screen - is here to stay.
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